By Ali Jadallah
Note: this article contains graphic images
I’m used to being the person behind the camera. Then on October 11th I was taking a photo of a house that had been bombed. It was near the street where my parents lived with my two brothers and sister. I heard an explosion and realised my family house had been hit. I ran towards it and saw it had been reduced to rubble.
The whole world died suddenly. There were no feelings, there were no colours, there was nothing. I tried to call my brothers but I knew they were under the rubble. Then I heard my mother’s voice – and I felt there was still hope in this world. I managed to pull her out. She was the only one who survived. We never found my sister’s body.
I left my wife and kids in the south of Gaza city and moved into al-Shifa hospital to stay with my injured mother. I became a body without a soul. I barely talk to my children – just a very short phone call every day. All I do is work. I’m part of a team of six photographers who live and work together at the hospital.
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We go out in the mornings to photograph the bombing from the night before. It’s dangerous to be out on the streets so I give my team a maximum of seven minutes to take their photos before we go back to the hospital. I am always worried about them.
The most important thing now is to report what is happening. My team and I don’t really eat, or sleep more than a couple of hours a night. We’re fuelling ourselves with dates, because they have a lot of sugar. I feel numb. I am a working machine.
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Ali Jadallah is a photographer in Gaza. He was speaking to Dara Coker
PHOTOGRAPHS ALI JADALLAH / ANADOLU AGENCY VIA GETTY IMAGES.
Black and white photographs MUSTAFA HASSONA / ANADOLU AGENCY VIA GETTY IMAGES
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