By Ali Jadallah
Note: this article contains graphic images
I’m used to being the person behind the camera. Then on October 11th I was taking a photo of a house that had been bombed. It was near the street where my parents lived with my two brothers and sister. I heard an explosion and realised my family house had been hit. I ran towards it and saw it had been reduced to rubble.
The whole world died suddenly. There were no feelings, there were no colours, there was nothing. I tried to call my brothers but I knew they were under the rubble. Then I heard my mother’s voice – and I felt there was still hope in this world. I managed to pull her out. She was the only one who survived. We never found my sister’s body.
I left my wife and kids in the south of Gaza city and moved into al-Shifa hospital to stay with my injured mother. I became a body without a soul. I barely talk to my children – just a very short phone call every day. All I do is work. I’m part of a team of six photographers who live and work together at the hospital.
We go out in the mornings to photograph the bombing from the night before. It’s dangerous to be out on the streets so I give my team a maximum of seven minutes to take their photos before we go back to the hospital. I am always worried about them.
The most important thing now is to report what is happening. My team and I don’t really eat, or sleep more than a couple of hours a night. We’re fuelling ourselves with dates, because they have a lot of sugar. I feel numb. I am a working machine.
Ali Jadallah is a photographer in Gaza. He was speaking to Dara Coker
PHOTOGRAPHS ALI JADALLAH / ANADOLU AGENCY VIA GETTY IMAGES.
Black and white photographs MUSTAFA HASSONA / ANADOLU AGENCY VIA GETTY IMAGES
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